The texts in this book mainly originate from the experience of the author's entire practice in the field of film, film and television production, where he worked mainly as a cinematographer, author, producer and sometimes also as a director or program designer. Examining the film image composition, as the basic expression attribute of a cameraman, is the main content of this publication. The film-image composition is the artificial art organisation of the reality of events elements that expresses certain mental content by the dynamic photographic image and reproduced sound. The film-image composition helps to mediate the creative reality by the audio-visual perception to the spectator who constantly confronts it with the outside world. The film-image composition cannot be understood from the static point of view, as an image element construction on the projected static slide, but as the dynamic grouped elements in the constant movement and change, expressing certain meaning by their mutual relations.