There was nothing even a little bit amazing about the old Underwood Art Gallery situated at the intersection of Third Street and Pine. Also, nothing especially amazing about the works of art showed inside. Generally, the show-stoppers were deadened scenes of scenes and seascapes and a periodic still life, with the exception of one rather enormous work of art toward the rear of the exhibition. It portrayed a tall, blond man meandering in the twilight through a vigorously lush woodland that lined a quiet blue lake.
The canvas was by a craftsman named Josef Vilnius and was suitably named Man Walking in the Moonlight. Kalu Adams had never known about Vilnius, however it was an intriguing piece with regards to that the tones appeared to change contingent upon the hour of day: the blues and greens and golds brilliant and happy when she noticed the artistic creation during the evening, the shades more solemn and stifled when she showed up at the exhibition in the evening. The progressions in shade were particularly confusing since they didn't have anything to do with the exhibition's inside lighting and appeared to be some peculiarity intrinsic in the artistic creation itself. It was generally impossible to miss, and it had stepped Kalu back to Underwood's endlessly time once more.