Native Bristolian now living in Colorado, Richard Froude is The Passenger, serving up a unique collection of writings that navigates both duelling states and hybrid forms. This poetic map charts the space between continents, where tectonic shifting plates transliterate a new amalgamated psychic zone between the root and newly adopted margins. Froude's new/old world is peopled with dislocated figures in some absurd geo-spiritual collage. Following from his recently published Fabric, Froude continues to explore peculiar immigrant pathology on a journey that likely has no end. The Passenger is a two-part work, previously published as The Margaret Thatcher Trilogy (Catfish Press) and The History of Zero (Candle Aria Press). Of the former, Robb St. Lawrence wrote tellingly in Phoebe Literary Journal: "Froude's management of repeating themes, fugue-like in their harmonization, is powerful and suggestive. He extracts the certainties of voice from the declaratives he deploys and ultimately turns that certainty against itself. Froude's collection reads as the utterances of a speaker who dwells always in the midst of the words to which he is giving voice, head turning one way and then another, startled to catch them wavering as they float by, but utterly convinced of the seriousness of his operation."